Interview with 7SEEDS Director Yukio Takahashi

AuthorSeptember 29, 2020

7SEEDS is an anime primarily based on the manga of the identical identify by Yumi Tamura, which ran from 2001 to 2017. Although a shojo manga (i.e. focused at a younger feminine demographic), 7SEEDS is a sci-fi survival story that has accrued many followers, promoting a complete of over 6 million volumes (together with digital gross sales). The first a part of the anime adaptation was launched on Netflix Japan in June 2019, and was later adopted by a TV broadcast in January 2020. The second a part of the difference was launched on Netflix Japan on 26 March 2020.
When Natsu opens her eyes, she is surrounded by ocean. The raging waves take her to an island collectively with strangers Arashi, Semimaru and Botan. The island is roofed by wild jungle inhabited by big crops, ferocious animals and humongous bugs. As they battle in opposition to these new pure enemies, a girl who claims to be their information tells them the unbelievable fact in regards to the 7SEEDS plan. This concerned cryogenically preserving younger, wholesome people in order that they might survive a world catastrophe and thus save mankind from extinction. Natsu and the others are shocked to be taught that they’re the outcomes of the 7SEEDS venture, and now these hand-picked survivors should battle for his or her lives.
How will they reside in a post-apocalyptic world?MANGA.TOKYO had been delighted to be given the chance to interview sequence director Yukio Takahashi.
Could you inform us the way you got here to work on this venture?
I’ve labored on anime for GONZO earlier than, and a producer on the time stated I is likely to be good for the job. I believe it was my directing work on earlier sequence that landed me the job.
What was your first impression of the manga?
The manga has numerous severe human drama so it’s straightforward to get sucked into. I used to be very engaged as I learn it.
Did it really feel like a shojo manga?
Honestly I learn it with out even serious about whether or not it was a ‘shojo’ or ‘seinen’ manga, or whether or not the goal demographic was male or feminine. I used to be frightened about how we might have the ability to adapt it into anime, because the manga was already an excellent storyline with well-depicted characters.. However, I believe the way in which it portrays the frame of mind of the characters is what provides it away as a shojo manga. What makes shojo manga troublesome to adapt into anime is the necessity to categorical the characters’ feelings with the monologues and course somewhat than merely with dialog. If we painting their emotions solely by means of dialog, then we’d simply have numerous speaking and every scene would visually look too related. When we had conferences concerning the state of affairs, we might focus on how a lot we ought to be condensing the narrative and the way we might draw out the true core of the story. It isn’t too problematic for shonen manga, because the characters have a tendency to easily say what they’re pondering.

What did you pay explicit consideration to when making this sequence?
With it having such a big solid of characters, the psychological depiction of every one would turn out to be central to the story, so it was vital to watch out in how we depicted them in relation to one another. Most of the developments within the anime occur in the identical order as within the manga. We additionally needed to needless to say the anime can be streaming abroad as nicely, so we wrote the scenes in order that the abroad viewers would take pleasure in them too. I requested the pictures unit to concentrate to how they visually expressed the depth of the areas.
I’m certain it will need to have been troublesome to painting a post-apocalyptic world.
We wanted to create backgrounds in contrast to something in the actual world, so I’m certain it was numerous work for the artwork crew. What made it tougher but extra compelling was the truth that we had these utterly fictional backdrops, however with actual buildings that had eroded with time. We mentioned how eroded the buildings ought to be with the artwork director.
Did you pay explicit consideration to the way you had been to depict the characters? Was it fairly troublesome as there have been so lots of them?
Each character has their very own particular person appeal, so I believe they’ve every attracted their very own set of followers. Unfortunately there simply isn’t sufficient time to place concentrate on each single character. I consulted with the top of sequence composition, and we determined to solely actually concentrate on the principle characters. By principal characters I imply Natsu, Arashi and Semimaru of Team Summer B, Hana and Haru of Team Spring, Ango, Ryo and Koruri of Team Summer A and Aramaki of Team Winter. We mainly simply tried to concentrate on the characters who had been important to the development of the story.
There are some characters with numerous motion scenes and a few with out.
According to Tamura herself, the story would progress too slowly if the main target had been solely on Natsu, which is why Hana was added so as to add extra action-packed scenes for distinction. However, Natsu remains to be the protagonist on the finish of the day. It is actually the story of her development, so we had been cautious in exhibiting her mature little by little as time glided by.
If you had to decide on, which crew would you be a part of?
I believe it may very well be enjoyable to affix Team Summer B.
Are there any characters particularly that you just relate to?
I believe I’m closest to Natsu. I are usually a bit reserved, like her.

Are there any scenes that you just put additional coronary heart into, or that you desire to us to pay additional consideration to?
As the director, I’d such as you to concentrate to all of it. However, if I needed to decide one episode from the primary 12 episodes, then it could most likely be the story of the Ryugu shelter (from Episode 7). The material is sort of heavy, so after we tried to depict it totally the episode ended up clocking in at 32 minutes. As we wanted to have the ability to additionally broadcast the episode on TV, I used to be nearly in tears as I needed to discover methods to chop it down. The TV model is about 22 minutes lengthy. We undoubtedly labored onerous on the Ryugu Shelter arc. The Netflix model is the total size, so I like to recommend that followers test it out on there.
We have a query from one in every of our readers:
_eclipso_ asks: What shall be your subsequent venture after 7SEEDS
There’s nothing that I can announce proper now. I simply completed 7SEEDS on the finish of final yr, so we’ll should see from right here.
Do you may have a message for the followers?
First of all, I’d be comfortable when you might watch the sequence. If you bought into this sequence by way of the anime, I might be very comfortable when you might learn the manga as there’s a lot we couldn’t put in. For followers who began with the manga, I would really like so that you can take pleasure in seeing the characters transferring and speaking on-screen.
Thank you in your time.
Yukio Takahashi
From Kanagawa Prefecture.After working in anime as pictures employees and an assistant manufacturing supervisor, Takahashi made his directorial debut as an episode director of Pokonyan!. He has labored on many exhibits with GONZO, and was a chief episode director on LASTEXILE -Fam, The Silver Wing-. His first work as a director was Dog & Scissors. He labored as a director on LASTEXILE -Fam, The Silver Wing- Over The Wishes and 18if (Episodes 6 and 11).
Original Work
Yumi Tamura 7SEEDS (serialized in Shogakukan’s “flowers” flower Comics α)
Director: Yukio TakahashiSequence Composition: Toko MachidaCharacter Design: Yoko SatoAnimation Production: GONZO/Studio KAI
Natsu Iwashimizu: Nao ToyamaArashi Aota: Jun FukuyamaSemimaru Asai: Katsuyuki KonishiBotan Saotome: Yoko SoumiMatsuri Tendo: Kana AsumiChimaki Yamori: Akira IshidaHotaru Kusakari: Aoi Yuki
Official Website (Japanese): Twitter (Japanese):
Official Streaming Sites: Netflix
©2019 Yumi Tamura, Shogakukan / 7SEEDS ProjectBased on the unique graphic novel “7SEEDS” by Yumi Tamura printed by Shogakukan Inc. (flowers flower comics α)

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Interview with 7SEEDS Director Yukio Takahashi

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